Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment. This was number 13, Montague Street, familiarly spoken of in the neighbourhood as “White’s. Unless he has dealings with the devil, he could never have done this alone.
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