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’ ‘Well, let us leave your name for the present. ’ Hilary’s gaze was raking the room. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “I wonder,” she said, “why one writes him sentences like that? It’ll have to go,” she decided, “I’ve written too many already. The wedding procession passed on, and the cynical rabble poured in behind.
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