The supreme effect for Ann Veronica was its surpassing relevance; it made every other atmosphere she knew seem discursive and confused. And when there is no longer any need to use it, why then, enough you say—and throw it away. All through that brief but measureless space of time during which wonder kept him silent, as fear did her, she cowered there, a limp helpless object. They would be quite as entertaining as the histories of Guzman D'Alfarache, Lazarillo de Tormes, Estevanillo Gonzalez, Meriton Latroon, or any of my favourite rogues,—and far more instructive. The Higher Life and the Lower.
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