And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible. "Do not despair!" echoed Mrs. Gerald, I mean, not Madame Valade. In a very definite sense we are in the wrong —hopelessly in the wrong.
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