Ruth crossed over to the dramatist of this tragicomedy and put a hand on his shoulder. It was a face that matched her body, so pure and beautiful that any man would have killed for her. All through the night an entirely impossible and monumental Capes confronted her, and she argued with him about men and women. But the first one was brought home, and it was the beginning of the end. He had been for months without music of the character he loved—and he dared not play any of it! McClintock, after the music began, left the piano and sat in a corner just beyond the circle of light cast by the lamp. And Leonardo told me never to trust any man.
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