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Why? Because she knew him in life, because, so long as she could remember, he had crossed and recrossed her vision—Sidney Carton. To make Ruth pay for it! He wanted to get away, into some immense echoless tract where he could give vent to this wild laughter which tore at his vitals. ‘I don’t know what the devil you’re talking about. Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. “The plain common-sense of the case,” he said, “is that we can’t possibly be lovers in the ordinary sense. ‘Anyhow, never mind that now. “You do not quite understand,” she said gently. I know you. Having secured this implement, he burst from his conductor, and, leaping into the hatch, as clowns generally spring into the clockfaces, when in pursuit of harlequin in the pantomime,—that is, back foremost,— broke into a fit of loud and derisive laughter, kicking his heels merrily all the time against the boards. To be sure, Ruth had dimly been aware of this; but now for the first time she was made painfully conscious of it. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenbergtm electronic works.

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